The exhibition, which runs through June 17, includes more than 50 works of art and includes the iconic “Tauromaquia” (Bullfighting) series of etchings by Francisco de Goya y Lucientes, as well as rare late-career works by Pablo Picasso in multiple media from ceramic to cardboard. The majority of the works in the show are on international loan from The Art Company, located in Pesaro, Italy.
Goya was fascinated by the concept of the bullfight as emblematic of Spanish history, as was Picasso, and that theme is represented throughout the exhibition, said H. Alexander Rich, PMA curator and FSC art history professor. Goya explores the artistry and the violence of the bullfight in the complete 40 prints of the “Tauromaquia” series.
“I believe it can be argued that Goya was trying, through this series focused on the tradition of the bullfight, to revive an element of the collective Spanish spirit, which had been diminished severely following the Peninsular War from 1807 to 1814,” Rich said.
The bull was also an important symbol to Picasso, and the bullfight was something that recurred in his work. He often thought of himself as a bull, as it was the epitome of machismo, Rich said. Picasso’s depiction of the bull is present in his ceramic and two-dimensional work in the exhibition, alongside other frequent Picasso themes including women, his wives and mistresses, and cubistic still lifes. Other notable works in the exhibition come from Picasso’s 1969 “Portraits Imaginaires” series, two pieces on corrugated cardboard representing a king and queen and produced only a few years before his death in 1973.
“These pieces reflect Picasso’s unique use of materials,” Rich said. “All the way to his 91st year, he always loved to experiment.”
A number of famous ceramic works by Picasso are included in this exhibition, including “Corrida,” “Profile of Jacqueline” and “Tete de Chevre de Profil (Goat’s Head in Profile)” from the PMA’s Permanent Collection.
Picasso started working in ceramics in 1946, and the medium became his principal focus for the next nine years. Intentionally imperfect, his works in pottery were all handcrafted, as opposed to spinning on a wheel.
The Members Reception to celebrate the opening of “Masters of Spain” and “Painting a Nation: Hudson River School” is March 23, 6-8:30 p.m. It is free for members to attend; $10 for nonmembers.
The museum will host a free lecture on Goya by Roy Kerr on April 12, 5:30-6:15 p.m.
A Point of View Gallery Talk on April 13, noon-1 p.m. will focus on the “Masters of Spain” exhibition. It is free to attend.
The Polk Museum of Art is located at 800 E. Palmetto St. in Lakeland. For more information, call: (863) 688-7743 or visit www.polkmuseumofart.com.
About the Polk Museum of Art at Florida Southern College
The Polk Museum of Art at Florida Southern College in Lakeland, Florida, is a private, not-for-profit academic museum dedicated to promoting inspirational and engaging arts experiences for all. It is one of the Top 10 art museums in the State of Florida, an Affiliate of the Smithsonian Institution and the only art museum accredited by the American Alliance of Museums serving the 666,000 residents of Polk County. Museum hours are 10 a.m. – 5 p.m. Tuesdays – Saturdays; 1-5 p.m. Sundays (closed Sundays June 1 through Labor Day) and closed Mondays and major holidays. Admission is free for everyone year-round, thanks to the following organizations: MIDFLORIDA Credit Union; the Ting Tsung and Wei Fong Chao Foundation; and the Share Foundation. The museum is fully accessible.